Harman excels in futuristic fantasyland of ‘Love Story 2050′ (Film Review)

July 5th, 2008 - 4:19 pm ICT by IANS  

A file-photo of Love Story 2050
By Subshash K. Jha
Film: “Love Story 2050″; Cast: Priyanka Chopra, Harman Baweja, Boman Irani; Director: Harry Baweja; Rating: **1/2 A star has most certainly been born. There are no two ways about it. After watching Harman Baweja sing, dance, emote and entertain in this Adlab presentation for a full three hours, one wonders if there is anything that this Baweja boy from Bollywood can’t do.

Yes, maybe there is something Harman can’t do. He can’t make us forget for even a minute that he knows every component of the camera although he has never acted before. The confidence level stops just short of being cocky and overdone. He is never short of a positive and productive attitude.

It is clear that producer-director Harry Baweja has made “Love Story 2050″ as a showcase for his son’s aptitudes. To that extent, the film works wonderfully, creating repeated opportunities for the debutant to shine.

The script - sprawling across two time phases and three hours of playing time - is a simple love story of two very good looking people coming together in the svelte, sweltering, simmering climes of Sydney, moving apart and then going into a futuristic mode without alienating themselves from the romantic genre that this uniquely-designed film inhabits.

Harry Baweja happily avoids the pitfalls of pedestrianism even when the boy-meets-girl plot gets into a trite and repeatedly-tested mode.

The protagonists share a precious, fragile and tender chemistry. A butterfly perches itself on the girl’s trembling hands and manoeuvres her heart into places where there’re no tell-tale signs. The butterfly becomes a likeable leitmotif in the plot. The courtship and romance is done in shades and words that leave us smiling. The initial scenes are actually far more interesting than they appear.

The boy tells the girl to do something that she has never done before. How about shop-lifting? He suggests. She suggests he recite some poetry for her. Javed Akhtar does the rest.

By the time Harman and Priyanka sing their first two duets (Anu Malik at his soft and tender best) we’re convinced that they care deeply for each other. It’s in their eyes. No kisses and cuddles needed. Only cuddly robots. For the first time in a Hindi film, two robots serving as the protagonists’ companions are given prominent places in the plot. And they aren’t just props. They are entities with a mind and personality of their own.

The entire courtship game stretching into two time zones is played out with an endearing innocence, and a focus and finesse that re-define the boy-girl formula in a language that’s sassy and trendy without ever lumbering into the lurid.

Towards the second half, when Harman flies into a futuristic Mumbai to retrieve lost love, the flying cars, the humane robots and the psychedelic dance numbers tend to overpower the basic romantic structure of the plot.

Harry Baweja could have avoided the extravagant excesses in the sky. How long can you watch flying cars and talking robots? After a while you restlessly begin to search for that romantic core which, blessedly, is never too far away from the narrative’s range of interests.

The second half, when a zany scientist (Boman Irani in a weird wig and silly smirk) transports the lovers and the audience into the future, has been done with an

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